Welcome to the conversation!


Welcome to the conversation!

Harriet Beecher Stowe's (1811-1896) best-selling anti-slavery novel Uncle Tom's Cabin (1852), made her the most famous American woman of the 19th century and galvanized the abolition movement before the Civil War.

The Stowe Center is a 21st-century museum and program center using Stowe's story to inspire social justice and positive change.

The Salons at Stowe programs are a forum to connect the challenging issues (race, gender and class) that impelled Stowe to write and act with the contemporary face of those same issues. The Salon format is based on a robust level of audience participation, with the explicit goal of promoting civic engagement. Recent topics included: Teaching Acceptance; Is Prison the New Slavery; Traces of the Trade: A Story from the Deep North; Creativity and Change; Race, Gender and Politics Today; How to be an Advocate

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Wednesday, August 13, 2014

Lucy Liu's film #Meena continues the #childtrafficking conversation

Lucy Liu, UNICEF Ambassador and documentarian has produced multiple films about child sex trafficking. The latest, Meena, is about a young girl who was kidnapped and sold by her uncle when she was only eight years old. Meena Hasina’s story was detailed in Half the Sky by Nicholas Kristof and Sheryl WuDunn. Meena, when she escaped from the brothel her uncle sold her to, sought the help of Apne Aap, a nonprofit self-empowerment group. Just before Meena debuted, Liu wrote:
“The expression ‘it takes a village to raise a child’ is so true, particularly when it comes to violence against children. It takes an entire international community to create lasting change. Don’t get me wrong, there is real change happening in the world on the part of governments, individuals and non-governmental organizations, but we need to do more.”
Though many organizations provide services for those who had been trafficked, Liu suggests more action needs to be taken to prevent child trafficking. Ensuring children are in safe, nurturing schools for longer makes it less likely they will be susceptible to exploitation. Liu concludes: “None of this is inevitable. It is preventable. Period.” 

What do you think can be done to prevent trafficking? What are the roots of the “wicked problem” of child sex trafficking? Are awareness publications having the impact filmmakers like Lucy Liu hope they will? Who should be responsible for making these changes? Weigh in on this complicated issue in the comments section.
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